Articles
The Federal Reserve Bank of Chicago (FRBC) owns a stunning collection of 44 war bond posters that were created in the 1910s and in the 1940s to encourage public support of American troops. This collection serves as a reminder of the Chicago Fed’s important part in coordinating the sale of war bonds. In recent months, these vintage posters were cared for by The Conservation Center in preparation for a special exhibition mounted on the occasion of the FRB’s centennial anniversary.
Sometimes an artwork is not merely an expression of the artist—rather, it is a legal document, or perhaps a blueprint, or even a map. At The Conservation Center, we enjoy coming across pieces that are not only beautiful, but also informative. This was just the case with a piece recently treated for Battle Creek-based private collector, Greg Allen. The said piece is by John Farmer (1798–1859), who is recognized for his cartography of early 19th century Michigan. What makes his maps so incredible is that they serve as primary sources of history for this region.
Sometimes in life, a piece of artwork takes you by surprise and before you know it, you can’t live without it. Such is the case for Mark, a private contemporary art collector in Chicago, who is also a friend of The Conservation Center. Mark began collecting art in the early 1980’s while living in New York City. He recently brought his very first acquisition from “way back when” to The Center to be reframed—and the piece Mark brought us has such a heartfelt story behind it we couldn’t resist sharing.
John Warner Norton, a charter member of The Cliff Dwellers, became one of the most accomplished and sought-after muralists in Chicago and across the United States by 1920. Earlier, however, in 1910 as Norton’s career and The Cliff Dwellers were both newly beginning, one of his first commissions titled "Navaho" became one of the private club’s earliest acquisitions of art. "Navaho" was recently conserved by The Conservation Center.
At The Center, we treat items of great worth, historical artistic significance and shared cultural value. But perhaps some the most rewarding work we do is in preserving family heirlooms. These items very greatly from paintings to furniture and can be extremely valuable or purely sentimental, but all hold stories with meaning to the owners. We feel honored to assist families with preserving these items for future generations, and allowing their stories to carry on, and would like to share a recent story from one of our clients.
This drapery is known as “pruchat aron”, and is used to cover the sacred cabinet that houses the Temple’s Torah, in the form of a massive scroll. Along the upper section are the main symbols of First Temple: The Torah Crown; a pair of wings belonging to the “karuvim”, or angels, who were believed to overlook the sacrificial altar; a seven-light Menorah (as opposed to the eight-light Hanukkah Menorah); the robe worn by the great “cohen”, or priest, who would be commanding the Temple; the tablets with the Ten Commandments; and the sacrificial altar. Collectively, these symbolize the holiest of the elements pertaining to the Temple.
When owners and caretakers of artwork want to properly house their treasured works, their collection may pass through The Center’s Custom Framing Department. Works on canvas, metal, wood, plastic and everything in-between are treated at The Chicago Conservation Center. Each work is individually assessed in order to determine the most appropriate type of housing, based upon the medium, the stability of the piece, the style and the client’s display concerns. A wide variety of housing options are available: traditional framing, custom mounts, and vitrines are the most common.
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