Articles
The Conservation Center team was on call during EXPO CHICAGO weekend (September 19-23) to assist dealers with unexpected art or framing emergencies during the fair. Our educational booth this year--which featured a magnificent Ellsworth Kelly work on paper and an eye-catching James Rosenquist painting, both generously lent to us by private collectors--brought in many of our old friends along with new audiences. See you next year, EXPO CHICAGO!
The Conservation Center's private reception on September 12 welcomed such esteemed guests as Roxanne Decyk, Christie Hefner, Richard Hunt, Tony Karman, Steve Koch, Arlene Semel, and Joan Steel to help celebrate our three decades of achievements. We'd like to thank all who attended and made our event a huge success!
Three decades of art restoration and preservation for clients and collections around the country is a pretty big deal, so we’ve taken this opportunity to have our distinguished Advisory Board members and founder say a few kind words about The Conservation Center and why they’re proud to be involved with us.
John Warner Norton, a charter member of The Cliff Dwellers, became one of the most accomplished and sought-after muralists in Chicago and across the United States by 1920. Earlier, however, in 1910 as Norton’s career and The Cliff Dwellers were both newly beginning, one of his first commissions titled "Navaho" became one of the private club’s earliest acquisitions of art. "Navaho" was recently conserved by The Conservation Center.
At The Center, we treat items of great worth, historical artistic significance and shared cultural value. But perhaps some the most rewarding work we do is in preserving family heirlooms. These items very greatly from paintings to furniture and can be extremely valuable or purely sentimental, but all hold stories with meaning to the owners. We feel honored to assist families with preserving these items for future generations, and allowing their stories to carry on, and would like to share a recent story from one of our clients.
A delicate glass vase by French artist Emile Galle (1846-1904), owned by the Glessner House Museum was brought to The Center after it was accidentally damaged and shattered. The vase broke into discrete fragments with extensive associated losses along the break edges, including an area of significant loss around the rim. There were also two running cracks as a result of a fracture.
Whether a corporation’s art collection is a curated investment, a donation from an art-loving CEO, an act of community connection, or a trove of archival material, keeping it in good condition requires the knowledge of experts. The Conservation Center has a long history of caring for corporate art holdings in four categories: disaster response, re-housing, storage, and display.
This portrait was one of a series of artworks brought to The Center after a destructive home fire. The painting showed signs of severe fire-related damage: the
ordeal left a heavy, dark layer of oily and acidic soot on the surface, obscuring the painted surface completely. Additionally, the stretcher had been charred, and undulations were present throughout the canvas.
The Napoleonic Dragoon Helmet, an example of the Grecian-inspired helmets worn by specific members of Napoleon’s cavalry, was brought to The Center in need of restoration. The leather lining of the helmet was loose with several losses to the leather and the risk of further degradation. The proper right leather strap was loose as well, with both straps having been previously re-attached with blue putty. Furthermore, the skull of the helmet exhibited several shallow dents and the horse hair mane was tangled and messy. The top decoration was missing from the helmet completely. There were some scratches on the surface, as well as evidence of use and wear. The metal and hair elements were both coated with dust and grime. There was also some tarnish on the gilded areas.
When owners and caretakers of artwork want to properly house their treasured works, their collection may pass through The Center’s Custom Framing Department. Works on canvas, metal, wood, plastic and everything in-between are treated at The Chicago Conservation Center. Each work is individually assessed in order to determine the most appropriate type of housing, based upon the medium, the stability of the piece, the style and the client’s display concerns. A wide variety of housing options are available: traditional framing, custom mounts, and vitrines are the most common.
At the time of Hurricane Katrina, the Chevy Chase Sideboard lay in a warehouse, broken down for shipment and secured on pallets, awaiting transportation north. This journey was scheduled to occur in mere days when the contents of the entire building were inundated by a flood that swamped the entire Ninth Ward, as well as most of the city of New Orleans.
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