Planning is Everything: Preparing for Disaster

Planning is Everything: Preparing for Disaster

President Dwight Eisenhower once said, "Plans are worthless, but planning is everything. There is a very great distinction because when you are planning for an emergency you must start with this one thing: the very definition of "emergency" is that it is unexpected, therefore it is not going to happen the way you are planning."

The team at The Conservation Center couldn't agree more. Disaster preparedness plans are often modified the moment they are put into action. Still, we know from years of experience that those who plan for likely scenarios are better positioned to respond to the unexpected.

World of Enlightenment: A 20th Century Globe Light

World of Enlightenment: A 20th Century Globe Light

Glass, Paint, Metal - It's always an exciting day when an unusual mixed media object arrives at The Center for treatment. One hundred sixty-two painted glass panes set in a series of metal channels come together in this early 20th-century terrestrial globe light fixture. Measuring nearly 3 feet in diameter, this light fixture needed several issues addressed before it was ready to take back its place of prominence at the center of the room.

Doris Lindo Lewis: American Surrealist

Doris Lindo Lewis: American Surrealist

Doris Lindo Lewis was an artist with many different stylistic interests, perhaps due to her mixed cultural heritage and experiences living in Costa Rica, Cuba, Jamaica, and the United States. She started with traditional oil landscapes, experimented with surrealism and charcoal portraits, and ended her career with abstract expressionism. Art from her surrealist period is particularly loved; the Boston Museum of Fine Arts, the National Gallery in Washington, D.C., and LACMA are among the major art museums to boast a surrealist Lewis piece in their collections.

Repairing a Regency Giltwood Stool

Repairing a Regency Giltwood Stool

Showcasing the beauty of antique furniture in your home décor can provide depth and warmth in a way that modern designs cannot match. The aged fabrics, custom finishes, fragile design details, and the maker's hand create a unique character that adds to the item's history and charm. However, age and history also require a certain level of consideration when putting antique furniture to day-to-day use.

The Conservation of a 19th-Century Portrait: Great-Great-Great Grandmother Brenner

The Conservation of a 19th-Century Portrait: Great-Great-Great Grandmother Brenner

Ever since photography became the favored medium of memory, painted family portraits became rare. These portraits are special heirlooms that deserve to be cherished and maintained for generations. A recent client of ours shared this belief and he and his family sent a portrait of their great great-great-grandmother to The Center for treatment.

Grooming an Amazing Pair of Bronze Buddhistic Lions

Grooming an Amazing Pair of Bronze Buddhistic Lions

Chinese Buddhistic Lions are symbols of feng shui that were traditionally placed in front of Imperial palaces and temples. Also called Imperial Guardian Lions, they can be a special addition to any private collection. They are usually bought and displayed in pairs—one male and one female. The male lion is identified by a globe under its paw, and the female likewise has a cub.

Something Old, Something New: Conserving an Antique Wedding Dress

Something Old, Something New: Conserving an Antique Wedding Dress

Spring is the time for weddings, as the weather is warming and the flowers are in bloom. This month, we had the pleasure of preserving an antique wedding dress made in 1900 from the Elk Grove Historical Museum located in Elk Grove Village, Illinois. According to their records, the dress was worn by Clara Schuette, who grew up in the museum’s farmhouse and married Henry Luehring on April 4th, 1901 in the museum’s parlor.

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A Community Comes Together: The Fisher Foundation Project Part 1

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A Community Comes Together: The Fisher Foundation Project Part 1

In 2014, a small group of volunteers in Marshalltown, Iowa, met to discuss the restoration of the Fisher Community Center Art collection, which had been untouched since the 1960s. The artworks were in desperate need for repair, care, and cataloguing, so the group set to work filing for grants and hiring specialists to help.

Repairing a Small Ivory Sculpture

Repairing a Small Ivory Sculpture

Our conservators come from vastly different backgrounds and specialize in treating countless types of objects, from oil or watercolor paintings to wood furniture to metal sculptures. Each piece is handled with expert attentiveness and care, whether it is large or small. One of our recently completed projects was on the smaller side—an ivory sculpture, measuring just over six inches tall.

Rosa Mystica: The First Phase of Treatment

Rosa Mystica: The First Phase of Treatment

The Conservation Center is honored to partner with the Illinois Patrons of the Arts in the Vatican Museums to treat The Annunciation. Please enjoy this video explaining our first phase of treatment for the piece, included in their five-part lecture series, Rosa Mystica: A Journey of Renewal and Restoration.

Maintaining the Magnificent

Maintaining the Magnificent

At 8½ feet tall and 6½ feet wide with over 150 painted figures, James Van Fossan’s “Drama Magnifico” was a sight to behold in our conservation laboratory. The large oil painting, which reportedly took the artist over 4,000 hours to complete, is like a modern version of Rubens’ swirling celestial compositions.

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Conservation and Creation: Restoring Lincoln's Portable Bar

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Conservation and Creation: Restoring Lincoln's Portable Bar

Abraham Lincoln’s Portable Bar was brought to us with missing brass inlay, non-original feet, and a missing key, among other things. Click to read how our conservators not only preserved the Bar itself, but fabricated missing elements to restore it to its former glory.

Preserving a Piece of Chicago History

Preserving a Piece of Chicago History

Our conservators love to work on pieces that showcase our city’s extraordinary history. It was a treat for our Paper Department to work on a series of twentieth century membership photographs from the Chicago chapter of the Scottish Rite. The photographs were taken and developed by the Gibson, Sykes & Fowler studio, one of the Chicago’s earliest photography studios that opened as early as 1860.

An Early Marisol Work, Renewed

An Early Marisol Work, Renewed

As art enthusiasts, the staff here at The Center are always eager to witness the transformation of the pieces that enter our care. This month we were captivated by the recent results of a particular piece by Marisol Escobar. Made in 1954 as a gift to her studio mate, Richard Buzzle, Marisol created this stained wooden box out of an old butter crate, then added two stepped doors; this created a shape that is reminiscent of a religious altarpiece. Inside, she sculpted a nativity scene with numerous clay figures, and adorned the doors with metal star cutouts.

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A Gem of the Shedd

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A Gem of the Shedd

Our home base in Chicago has many cultural jems, and The Conservation Center has recently had the privilege of working with one of them- the beautiful Shedd Aquarium. Working closely with us throughout the conservation process, the Shedd Aquarium sent us a work that does not depict one of their thousands of species of fish, as you might have guessed, but rather a portrait of their generous patron and founder, John Graves Shedd.

Clementine Hunter: Pecan Pickin'

Clementine Hunter: Pecan Pickin'

Louisiana’s most famous female artist, Clementine Hunter, didn’t start creating art until around the age of 50. Born just a few decades after the Civil War, Hunter lived most of her life on the Hidden Hill and Melrose cotton plantation where she worked as a field laborer and domestic worker, respectively. It wasn’t until the mid-1940’s when a visitor of the plantation left behind art supplies that Hunter began to create the art she is known for today.

Handiwork and a Hungarian Wall Clock

Handiwork and a Hungarian Wall Clock

Conservation is a way to help beloved objects stand the tests of time. But sometimes time needs a little help, too- timepieces that is. Here at The Conservation Center, we recently conserved an antique wall clock that dates from the mid to late 19th century.

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Cleaning a Crazy Quilt

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Cleaning a Crazy Quilt

Crazy quilts – a textile trend in the late 1800s – are often anything but crazy. These one-of-a-kind treasures are intentional statements, consisting of irregular shapes, intricate embroidery, and a myriad of fabrics. When a crazy quilt from 1890 was brought to The Center for treatment, our Textile Conservator was thrilled to work on such a unique piece.

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