A painting by early twentieth-century Chicago artist Marie Blanke was significantly brightened after a good cleaning and a fresh coat of varnish. The original canvas, which was deformed and brittle from age, was flattened with a combination of heat, suction, humidity, and weight techniques, and then strengthened by being lined to a prepared canvas. The painting was put back into its original frame, the miters of which were stabilized.
Art has the incredible ability to take hold of you, transfix you, and then transport you into another state of mind. That’s exactly what happens to one of our clients when he gazes at “The Trinity with the Virgin and Two Donors,” a painting attributed by one expert to Marten de Vos, a Flemish history painter and portraitist of the late 16th century.
As the weather grows colder here in Chicago, we are constantly dreaming of our next getaway. One classic that captures our wanderlust is Audrey Hepburn’s “Roman Holiday.” Unfortunately, Rome is a little far, but luckily, we had the opportunity this month to watch the treatment of a Greco-Roman painting instead.