Paper Conservation Anecdote: Prints by Henry Thomas Alken

Paper Conservation Anecdote: Prints by Henry Thomas Alken

Hunting may be a fall sport—but art conservation is a year round activity. Whether he was drawing, etching, or painting his famous hunting scenes, Henry Thomas Alken (English, 1785–1851), judging by the amount of work he produced during his career, was always, like us, working. The Conservation Center is always thrilled to treat high quality works by artists such as Alken. Not only can we appreciate his skilled artistry, but we can also admire the humorous point of view through which he saw his subject matters.

Paint It Mick, Andy: A Private Collector's Very First Acquisition

Paint It Mick, Andy: A Private Collector's Very First Acquisition

Sometimes in life, a piece of artwork takes you by surprise and before you know it, you can’t live without it. Such is the case for Mark, a private contemporary art collector in Chicago, who is also a friend of The Conservation Center. Mark began collecting art in the early 1980’s while living in New York City. He recently brought his very first acquisition from “way back when” to The Center to be reframed—and the piece Mark brought us has such a heartfelt story behind it we couldn’t resist sharing.

Corporate Collections and The Center

Corporate Collections and The Center

Whether a corporation’s art collection is a curated investment, a donation from an art-loving CEO, an act of community connection, or a trove of archival material, keeping it in good condition requires the knowledge of experts. The Conservation Center has a long history of caring for corporate art holdings in four categories: disaster response, re-housing, storage, and display.

A Mangled Matisse

A Mangled Matisse

The toothy grin of this sketched lady belies the extensive damage to the paper she is drawn on: tears and punctures from broken glass, crumpling and creases from poor handling. How much work will it be before she can smile contentedly again?

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