Framing and displaying an artwork properly can help draw attention to a work, enhance its visual appeal, and keep it safe. Poorly framing or displaying a work of art, on the other hand, can lead to discoloration, fading, acid burn, and other severe and unnecessary damage.
Amadeo Modigliani was an Italian painter who lived and worked during La Belle Époque. Like many other artists during this period, he resided in Paris where he created some of his most famous sculptures, drawings, and paintings. Although Modigliani was prolific and created hundreds of pieces, he was destitute for most of his tragically short life. The artist is well-known for his portraits, which depict faces influenced by the Baule masks and figures from the Ivory Coast. His distinctive style is characterized by long necks and faces, and by his signature small, hazy eyes. We recently encountered one of his drawings in need of minor treatment and cleaning.
At The Conservation Center, we are acutely aware that accidents happen, so that is why we offer our services at EXPO Chicago every year. Our team of art handlers and conservators prepare annually to assist in every way possible as hundreds of pieces of art are installed in Navy Pier over two short days. This year we assisted with a piece that suffered damage from international shipment. Somewhere along the way, the glass shattered and the paper piece underneath was in need of a quick rescue.
In 2016, The Center had the pleasure of working on a personal piece for Kerry James Marshall titled Cleanliness Is Next to Godliness and we were very honored when the artist gave us the opportunity to work on another piece from his personal collection. “Ipso Facto” is a painting executed on two plywood panels joined together with batons and screws. The diptych is primed and painted with what appears to be moderately applied acrylic. Both panels depict a figure’s rear. The left panel is painted in white, with various colors playfully peeking through the brush strokes, and the other is painted in black surrounded by small white flowers with intimate red and green details. The piece is unvarnished and while unsigned, the painting is characteristic of Marshall’s work.
The Center's Gilding Department specializes in the preservation of frames and objects with gold, silver, and metal leaf applied to the surface. A wonderful example of the type of projects our Gilding Conservators frequently undertake recently came to us in the form of a mirror in need of conservation.
Whether ancient, contemporary, or any time in between, there are countless types of artwork of all styles and ages that challenge conservators. Every piece of artwork has its own nuances and characteristics that are the result of the artist’s technique, the materials used, and the conditions the artwork experiences over the years. When it comes to conservation there is probably no type of artwork as commonly complex as traditional Asian screens. Typically constructed of paper decorated with paints, gilding, and stretched over a wooden support, Asian screens are a type of object that can require consultations including conservators in many different specialties. Collaboration between paper, furniture, painting, and gilding conservators can be critical to determine the appropriate treatment and achieve successful results when treating Asian screens.
When asked to describe conservation work, most people think of old discolored paintings and fine art prints with stains and tears - items that need to be treated for decades or even centuries of damage. But time is not a prerequisite for conservation treatment. The reality is that at The Conservation Center, contemporary items arrive at our doors everyday in need of treatment. Recently we had the pleasure of treating two contemporary, functional items by Surrealist artist Pedro Friedeberg.
One of the misconceptions concerning work performed at an art treatment facility such as The Conservation Center is that an object or a piece of art must have significant value on the market to qualify for professional care. This is simply not the case. While many of our clients have high-end pieces that belong to large-scale collections and museums, our conservators also specialize in treating family antiques and heirlooms that have sentimental value.
Family heirlooms connect generations in a deep, personal way. From the handed down bible and grandmother’s knitted quilt, to a late 1800s baptismal gown and photos of a relative going off to war—anyone who has found or kept historic pieces in the family knows how moving they can be. These treasured items, passed down through the decades, provide insight into the lives of our ancestors and a richer understanding of our family's history.
The weather's heating up, but there are no signs of slowing down at The Conservation Center. From intricate conservation projects to private tours, our staff is hard at work in West Town. To celebrate the new season, we are bringing back our popular "A Day in the Life" photo series. With our camera in hand, we wandered around the lab and captured some amazing images to share with you.
Our staff at The Conservation Center is always up for a good challenge, so when an elaborate frame surrounding a 17th-century Spanish Colonial painting (most likely from Peru) came to us for repairs recently, we rallied not one, but two conservators from different departments to collaborate on this project. Towering at 6 feet tall by 9 ½ feet wide, the sheer size of this frame is impressive enough before even considering the stunning craftsmanship and details worked into the edges and corners. The Center's Senior Gilder and Frames Conservator teamed up with our Senior Furniture Conservator and worked their magic on this amazing frame.